The Disaster Artist

The Disaster Artist is a true gift for fans of The Room

I’ve rarely seen an audience respond to a film as raucously as I did at a recent preview screening of James Franco’s new film, The Disaster Artist. And it’s hard to blame them. This comedic account of the making of The Room by Tommy Wiseau, the most celebrated bad film to grace the silver screen…

By James Curnow
Thor: Ragnarok

Thor: Ragnarok – The God of Thunder Trades Hammer for Humor

2017: a year in which a movie about The Goddess of Death is the gut-busting comedy of the year. Irony has rarely been penned so beautifully, and so surprisingly signed off by a major, family-friendly studio. Thor: Ragnarok, the latest title in the Marvel Cinematic Universe, is as much like its predecessors as Shakespeare is…

By Cory Woodroof
The Florida Project

Review: The Florida Project finds sunshine in the rain

At numerous times in Sean Baker’s The Florida Project, the director and co-writer splices together two starkly different realities. One – the city of dreams, where tucked between the highways and residential Orlando lies Disney World, the other happiest place on Earth, where people take family vacation, spend honeymoons and anniversaries, ride roller coasters, stay…

By Cory Woodroof
la fille inconnue

Review: La fille inconnue (The Unknown Girl)

You know that old saying “Lesser Dardennes is still better than most anything else?” OK, it’s not an old saying because I just made it up. But it should be. Because with Jean-Pierre and Luc Dardennes, movies that fall several notches down on their list of achievements are significantly better than the vast bulk of…

By Jonathan Eig
Mother!

Movie Review: Darren Aronofsky’s Mother!

About ten years back, I went to a play at one of my local rep theatres. If I remember right, it was an American premiere, but I suppose that doesn’t really figure into the story. The next day, I was inspired to send a $100 contribution to the theatre, with the accompanying note. “I saw…

By Jonathan Eig
Stephen King IT

Movie review: What ‘It’ gets right and wrong

Stephen King’s It was first and foremost a coming of age story that utilised its horror elements as a metaphor for the traumas of childhood and adolescence, and it is in reflecting this human element that Andy Muschietti’s new film adaptation truly excels. Unfortunately, he isn’t as successful in taking the novel’s antagonist and turning him/it…

By James Curnow
Kathryn Bigelow Detroit

Kathryn Bigelow’s fierce, fervent Detroit is a loud cry for change

Kathryn Bigelow’s Detroit pushes its atmosphere like an invading force. Through sheer will and punishing fury, it leaves a charred, empty sense of helplessness, and there’s nothing that can be done to salve the burn. Indeed, audiences who watch Bigelow’s dramatization of the Algiers Motel tragedy will feel the wrath of her filmmaking. An uncomfortable,…

By Cory Woodroof