Tag: James Curnow
The Fortune: A lost classic
Last night I continued my movie marathon at the Melbourne International Film Festival (MIFF) with The Fortune (1975), a lost comedy classic from the legendary Mike Nichols. Nichols is one of those truly rare auteurs who have managed to produce consistently brilliant films throughout their career. With a body of work that includes The Graduate…
The Sapphires: Australia’s answer to The Supremes
Last Thursday I had the good fortune to attend the Australian red carpet premiere of the new Australian film, The Sapphires, at the opening night gala of the Melbourne International Film Festival. Aside from minor damage done to my liver at the after party (hence the delay in blogging the event), it was a fantastic…
Pixelschatten: A man with a movie camera
There is a long-standing tradition in cinema for filmmaker’s to produce films that address their own mode of production. Since Dziga Vertov turned the camera on itself with Man with a Movie Camera (1929), we’ve revelled in the playful irony that the moving image allowed. This tendency becomes more pronounced with every filmic technological innovation,…
Child’s Play: Tough movies for little beasts
There are many myths about children and childhood, most of which relate to a misconception about the notion of innocence. We talk about kids as though they are friendly, effervescent bubbles of untainted purity, as yet uncorrupted by the difficulties and evils of the world. This is, of course, untrue. Anybody who has been a…
At the movies: Looking past the Popcorners and Noiseites
A recent article in a blog or newspaper (I can’t recall) on the social etiquette of cinema-going started me thinking about my own views on what is or is not acceptable within the realm of the movie theatre. It quickly became apparent to me that my views on the subject were militant to the point…