Dangal

Dangal: The perfect Bollywood film for the uninitiated

There is a general resistance to Bollywood cinema in Western countries. This isn’t so much because of any strong objection to them, as it is because their structure is so fundamentally different from the output of Hollywood. They are frequently quite long, invest heavily in a sense of the melodramatic, and perhaps most significantly, the…

By James Curnow
Inside Fighter

Interview: Nick Barkla on Inside Fighter

Inside Fighter is the kind of uncontrived and intimate cinematic portrait – free of pretence or judgement – that acts as a reminder of the possibilities of the documentary form. For each and every second of the film’s relatively brief 51-minute running time, it is clear that first-time director Nick Barkla has entered into the…

By James Curnow

Shattered Masculinities: Muscular pulp and feminine tears

There is something incredibly fascinating about images of shattered masculinity on the big screen. The notion of testosterone fuelled hyper-men imploding into impotent puddles of muscular pulp and feminine tears seems to have fuelled the popular imagination of filmgoers since the medium’s earliest beginnings – most especially in the United States. It seems that, even…

By James Curnow