God Knows Where I Am

Interview: Jedd and Todd Wider on ‘God Knows Where I Am’

Several years ago Rachel Aviv published an article in the New Yorker about Linda Bishop, a woman who had struggled with mental health issues for much of her life. In October 2007, having been recently released from psychiatric care, Linda began to suffer from paranoid delusions about being pursued. She broke into an empty New…

By James Curnow
Hendrix at the Monterey Pop Festival

D.A. Pennebaker’s Monterey Pop: 50 Years on from the Monterey International Pop Festival

Held fifty years ago this month on the virtual solstice of the Summer of Love, the Monterey International Pop Festival was a dazzling counterculture coming-out party. Its infectious good vibes and series of revelatory performances that soon passed into rock ’n’ roll legend were captured by documentarian D. A. Pennebaker, fresh off the release of…

By Rick Ouellette
Jewel's Catch One

Interview: How Jewel’s Catch One made history

It’s easy to see a documentary filmmaker’s passion shine through when they are deeply invested in a project. Such is the case with C. Fitz’s new film, Jewel’s Catch One, which will have its Australian premiere at the Melbourne Documentary Film Festival. Focusing on the history of Los Angeles’ legendary gay nightclub Catch One and…

By James Curnow
Film Hawk

Interview: Understanding the Film Hawk Behind Kevin Smith

For most Australians, the name Bob Hawk conjures up images of one our more recognised former Prime Ministers, Bob Hawke. But in the American independent film world, the name is more commonly associated with a well-renowned film consultant, most celebrated for shining a light on filmmakers like Kevin Smith, Edward Burns and Barbara Hammer. In…

By James Curnow
Miss Kiet's Children

Review: Live your childhood again with ‘Miss Kiet’s Children’

With their new film Miss Kiet’s Children, filmmaking couple Petra Lataster-Czisch and Peter Lataster have achieved something truly extraordinary. Over the course of two mesmerising hours, they’ve found a way to have viewers abandon their mundane adult perspectives, transporting them back to a time in which stolen crayons and memorising times-tables were great emotional challenges.…

By James Curnow
Cameraperson documentary

Documentaries in focus: ‘Cameraperson’ and ‘Marathon’

The documentary landscape recently grew a little bit brighter with the release of two first-rate works, very different from each other, but both doing what film has always done best: eliciting powerful emotional responses by showing us things we have not seen before. At least not like this. The first movie is Kirsten Johnson’s Cameraperson.…

By Jonathan Eig
Monsieur Mayonnaise

Trevor Graham’s Monsieur Mayonnaise: Getting Mora out of History

It will come as no surprise to regular readers that over the last year I’ve become increasingly interested in the films of Australian director Philippe Mora, most particularly his films focused on the representation of history. From Swastika (1974) to Snide and Prejudice (1997), each of Mora’s historically centered works is part of a life-long…

By James Curnow