Month: October 2012

  • The Situation: Is Reality TV the Symptom of a Cultural Disease?

    The Situation: Is Reality TV the Symptom of a Cultural Disease?

    Excuse me for a moment while I rant.

    I don’t know what free-to-air television is like where you’re from, but I can’t watch it anymore. I’m considering unplugging my television antenna and retreating permanently into the warm comfort of my DVDs, Blu-rays and the infinite possibilities of downloadable content. These days, it seems that there are only two types of show on television: police procedurals and reality TV.

    The police stuff for me is only a minor gripe. I appreciate that there is nothing new under the sun. But at what point did it become important to have twenty different shows that cover almost exactly the same territory? At what point did it become okay to make the same show over and over, with the only variation lying in a change of geography (yes, CSI, I’m talking to you).

    But that’s just an aside – it’s reality TV that really breaks my heart.

    Reality TV

    Reality TV is really just a symptom (like a cold sore or a severe rash) of a far more insidious cultural disease. It’s the same disease that’s resulted in a generation of young men and women looking into the mirror in horror at their imperfections. It’s the same disease that has instilled unrealistic expectations about life into the minds of the young. It’s even the same disease that’s caused a new obsession with having well groomed Frankensteins carve up human beings, stuff them with silicone, Botox and whatever other “upgrades” they have on hand, before sending them out into the world ten percent younger and twenty percent more synthetic. It’s the cultural disease of narcissism and it is unbearable.

    Anybody can be a star, and anything is worthy of star attention. The lower a human being can descend, the more worthy they are of star attention. Monstrosities like “The Situation” aren’t liable to cause damage just because of the chronic eye-rolling effect their televisual presence has on viewers – the damage they cause is in the obliteration of standards. Success is presented as the result of pure chance.

    People scramble so desperately for the screen that in England that they are literally willing to display their most horrific and embarrassing body-parts to the world – and we want to see them?!?  And, Big Brother! A bunch of narcissistic train-wrecks locked in a room talking about themselves. I’m all for locking them up, but why add the camera? These are people so self-involved that, with the validation of the camera, they literally become intellectual black holes, surging through the airwaves to suck the juice out of the human race until we’re all reduced to babbling idiots. I’m aware most countries have cancelled Big Brother. So had ours – but then it came back like a serial killer in a poorly conceived horror sequel. A sad sign of the times.

    Some people will argue that they watch these programs ironically, in order to laugh at the foibles of the rabble in front of them. I’m not particularly interested in watching people for the satisfaction of passing judgement upon them, and I don’t know if the introduction of irony acts as any kind of buffer. After all, eating a bowl of sewer sludge with a knowing grin is unlikely to reduce the effect on your internal organs.

    So what am I blabbering on about?

    Obviously, there are solutions to my problem. Cable, whilst predominantly made up of the kind of rubbish I was just complaining about, also features some of the best programs on television. And it is certainly true that the output of companies like HBO and the BBC often transcends anything that the small screen has ever seen.

    But in the digital age we are able to obtain these programs at will, legally or illegally – I imagine mostly illegally. It seems that most people are pirates these days, having abandoned traditional television programming in favour or an entirely democratised approach. This may be morally problematic, but I can’t help but admire the way people have liberated themselves from the passive confines of traditional TV watching and made the experience their own. After all, it’s better to be a pirate than the victim of ocular molestation and a participant in cultural degradation.

    All I’m saying is – switch it off.

    Footnote: Of course there are the “other” reality TV shows about renovations, antique collection and stamp collection (I imagine there must be a stamp show). These are probably not to be tarnished with the same brush, although they are hardly art.

  • Django Unchained: New Trailer

    Django Unchained: New Trailer

    Anybody else excited? Tarantino occasionally takes hits over his cinema of referential overload, but I stand behind the man 100%. The most common arguments see people claiming his work is closer to plagiarism than homage, but the reality is that his reassembled visions are closer to acts of genre worship than anything else. They also tend to be superior to most of the films they are referencing.

    No popular auteur has so consistently challenged themselves and succeeded in recent years (I’ve even watched the fundamentally flawed Death Proof at least a dozen times) and this potentially inflammatory subject is the perfect challenge. Spaghetti western meets Blaxploitation. I’m excited.

  • A bizarre and mediocre ode to Stanley Kubrick

    A bizarre and mediocre ode to Stanley Kubrick

    What could I possibly write about Kubrick that hasn’t been written before? Today at least… absolutely nothing. And so, in the interests of filling a blank page with some kind of Kubrick-esque blog, here is a series of hurriedly composed haikus, chronologically ordered, on the films of Stanley Kubrick.

     

    Flying Padre: An RKO-Pathe Screenliner (1951)

    An early short film

    Haven’t seen it. Would like to

    An ad for a plane

    Day of the Fight (1951)

    A boxing doco

    Strong frenetic energy

    Beginnings of art

    Fear and Desire (1953)

    Kubrick hated it

    Stuck behind enemy lines

    Found quite recently

    The Seafarers (1953)

    Documentary

    Lost film until recently

    Seafarers Union

    Killer’s Kiss (1955)

    Film-noir shot with style

    Man waits for a train and thinks

    First decent feature

    The Killing (1956)

    Brilliance begins now

    Existential noir at track

    Money floats in wind

    Paths of Glory (1957)

    Kirk Douglas at war

    Obnoxious generals lie

    Human lives wasted

    Spartacus (1960)

    Kirk Douglas a slave

    Rise up against the Romans

    I am Spartacus

    Lolita (1962)

    Nabakov on screen

    Humbert Humbert is evil

    Foot on camera

    Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

    The string in my leg

    Precious bodily fluids

    This is the war room

    2001: A Space Odyssey (1968)

    Spake Zarathustra

    Open the pod bay doors please Hal.

    I can’t do that, Dave

    A Clockwork Orange (1971)

    Ultra-violence

    Beethoven’s Ninth Symphony

    Re-education

    Barry Lyndon (1975)

    Some think it’s boring

    Napoleonic era

    I think it’s stunning

    The Shining (1980)

    Overlook Hotel

    Some places are like people

    All work and no play

    Full Metal Jacket (1987)

    Private Gomer Pyle

    I am in a world of shit

    Joker born to kill

    Eyes Wide shut (1999)

    Tom and Nicole star

    Nature of fidelity

    The final movie

    A.I. (2001)

    From beyond the grave

    A vision not quite achieved

    Tribute from a friend